Timothy Pinto's series of articles looks at issues around ownership and copyright protection of AI-created art. Who is the artist? Who owns the art? How can it be protected? Is a human author required for art to attract copyright? What happens when ownership is disputed, and do the answers vary from country to country?
Does the use of AI to create art infringe copyright?
Whilst it is impressive that UK legislation had included provisions relating to such technically advanced works since 1988, this doesn’t mean it has all the answers.
